List of compositions by Tomaso Albinoni

Tomaso Albinoni
This is a list of works by the Italian composer Tomaso Albinoni (1671–1751).
Vocal music
Operas
Most of Albinoni's works were dramma per musica; however only four of the operas still exist in a complete form: "Zenobia, regina de' Palmireni", "Il tiranno eroe", "I rivali generosi" and La Statira. [1]
| Title | Genre | Subdivisions | Libretto | Première date | Place, theatre | Notes | 
|---|---|---|---|---|---|---|
| Zenobia, regina de’ Palmireni | dramma per musica | 3 acts | MarchiAntonio Marchi | 1694, carnival | Venice, Teatro Santi Giovanni e Paolo | version of the score survives in Library of Congress, Washington | 
| prodigioIl prodigio dell’innocenza | dramma | 3 acts | GualazziFulgenzio Maria Gualazzi | 1695, carnival | Venice, Teatro Santi Giovanni e Paolo | music lost | 
| Zenone, imperator d’Oriente | dramma per musica | 3 acts | MarchiAntonio Marchi | 1696, autumn | Venice, Teatro S Cassiano | music lost | 
| TigraneIl Tigrane, re d’Armenia | dramma per musica | 3 acts | CorradiGiulio Cesare Corradi | 1697, carnival | Venice, Teatro S Cassiano | music lost | 
| Primislao, primo re di Boemia | dramma per musica | 3 acts | CorradiGiulio Cesare Corradi | 1697, autumn | Venice, Teatro S Cassiano | music lost | 
| ingratitudineL’ingratitudine castigata | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1698, carnival | Venice, Teatro S Cassiano | music lost | 
| Radamisto | dramma per musica | 3 acts | MarchiAntonio Marchi | 1698, autumn | Venice, Teatro Sant'Angelo | music lost | 
| Diomede punito da Alcide | dramma | 3 acts | AureliAurelio Aureli | 1700, autumn | Venice, Teatro Sant'Angelo | music lost | 
| ingannoL’inganno innocente | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1701, carnival | Venice, Teatro Sant'Angelo | music lost, except some arias | 
| arteL’arte in gara con l’arte | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1702, carnival | Venice, Teatro S Cassiano | music lost | 
| Griselda | dramma per musica | 3 acts | ZenoApostolo Zeno | 1703, carnival | Florence, Cocomero | music lost, except three arias | 
| Aminta | dramma regio pastorale | 3 acts | ZenoApostolo Zeno | 1703, autumn | Florence, Cocomero | music lost | 
| piu-fIl più fedel tra i vassalli | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1705, autumn | Genoa, Falcone | music lost | 
| prosperitaLa prosperità di Elio Sejano | dramma per musica | 3 acts | MinatoNicolò Minato | 1707.11707, carnival | Genoa, Falcone | music lost | 
| fedeLa fede tra gl’inganni | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1707.21707, Carnival | Venice, Teatro Sant'Angelo | music lost | 
| fortezzaLa fortezza al cimento | melodramma | 2 acts | SilvaniFrancesco Silvani | 1707.31707 | Piacenza, Ducale | music lost | 
| Astarto | dramma per musica | 3 acts | ZenoApostolo Zeno and Pietro Pariati | 1708, autumn | Venice, Teatro S Cassiano | music lost, except some arias | 
| Pimpinone | intermezzo | 3 intermezzos | PariatiPietro Pariati | 1708, autumn | Venice, Teatro S Cassiano | |
| Engelberta | dramma per musica | 3 acts | ZenoApostolo Zeno and Pietro Pariati | 1709, carnival | Venice, Teatro S Cassiano | 4th and 5th acts by Francesco Gasparini | 
| tradimentoIl tradimento tradito | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1708, carnival | Venice, Teatro Sant'Angelo | music lost | 
| Ciro | dramma per musica | 3 acts | PariatiPietro Pariati | 1710, carnival | Venice, Teatro S Cassiano | music lost | 
| tirannoIl tiranno eroe | dramma per musica | 3 acts | CassaniVincenzo Cassani | 1711, carnival | Venice, Teatro S Cassiano | |
| GiustinoIl Giustino | dramma per musica | 5 acts | PariatiPietro Pariati after Nicolò Beregan | 1711, spring | Bologna, Formagliari | music lost | 
| paceLa pace generosa | dramma per musica | 3 acts | SilvaniFrancesco Silvani | 1711, autumn | Genoa, Falcone | music lost | 
| gareLe gare generose | dramma per musica | 3 acts | ZaniboniAntonio Zaniboni | 1712, autumn | Venice, Teatro S Cassiano | music lost, except five arias | 
| Lucio Vero | dramma per musica | 3 acts | ZenoApostolo Zeno | 1713, spring | Ferrara, S Stefano | music lost | 
| amor di figlioL'amor di figlio non conosciuto | dramma per musica | 3 acts | LalliDomenico Lalli | 1716, carnival | Venice, Teatro Sant'Angelo | music lost | 
| Eumene | dramma per musica | 3 acts | SalviAntonio Salvi | 1717, autumn | Venice, Teatro San Giovanni Grisostomo | music lost, except one aria | 
| Meleagro | dramma per musica | 3 acts | BernardoniPietro Antonio Bernardoni | 1718, carnival | Venice, Teatro Sant'Angelo | music lost | 
| Cleomene | dramma per musica | 3 acts | CassaniVincenzo Cassani | 1718, carnival | Venice, Teatro Sant'Angelo | music lost | 
| eccessiGli eccessi della gelosia | dramma per musica | 3 acts | LalliDomenico Lalli | 1722, carnival | Venice, Teatro Sant'Angelo | music lost, except some arias | 
| veriI veri amici | dramma per musica | 3 acts | SilvaniFrancesco Silvani and Domenico Lalli after Pierre Corneille | 1722, October | Munich, Hof | music lost, except some arias | 
| trionfo-amIl trionfo d’amore | dramma per musica | 3 acts | PariatiPietro Pariati | 1722, November | Munich | music lost | 
| Eumene | dramma per musica | 3 acts | ZenoApostolo Zeno | 1723, carnival | Venice, Teatro San Moisè | music lost, except 2 arias | 
| Ermengarda | dramma per musica | 3 acts | LucchiniAntonio Maria Lucchini | 1723, autumn | Venice, Teatro San Moisè | music lost | 
| Antigono, tutore di Filippo, re di Macedonia | tragedia | 5 acts | PiazzonGiovanni Piazzon | 1724, carnival | Venice, Teatro San Moisè | 5th act by Giovanni Porta, music lost | 
| Scipione nelle Spagne | dramma per musica | 3 acts | ZenoApostolo Zeno | 1724, Ascension | Venice, Teatro San Samuele | music lost | 
| Laodice | dramma per musica | 3 acts | SchiettiAngelo Schietti | 1724, autumn | Venice, Teatro San Moisè | music lost, except 2 arias | 
| Didone abbandonata | tragedia | 3 acts | Metastasio | 1725, carnival | Venice, Teatro S Cassiano | music lost | 
| L'impresario delle Isole Canarie[2][3] | intermezzo | 2 acts | Metastasio | 1725, carnival | Venice, Teatro S Cassiano | music lost | 
| Alcina delusa da Ruggero | dramma per musica | 3 acts | MarchiAntonio Marchi | 1725, autumn | Venice, Teatro S Cassiano | music lost | 
| rivaliI rivali generosi | dramma per musica | 3 acts | ZenoApostolo Zeno | 1725 | Brescia, Nuovo | |
| StatiraLa Statira | dramma per musica | 3 acts | ZenoApostolo Zeno and Pietro Pariati | 1726, Carnival | Rome, Teatro Capranica | |
| Malsazio e Fiammetta | intermezzo | 1726, Carnival | Rome, Teatro Capranica | |||
| trionfo-arIl trionfo di Armida | dramma per musica | 3 acts | ColatelliGirolamo Colatelli after Torquato Tasso | 1726, autumn | Venice, Teatro San Moisè | music lost | 
| incostanzaL’incostanza schernita | dramma comico-pastorale | 3 acts | CassaniVincenzo Cassani | 1727, Ascension | Venice, Teatro San Samuele | music lost, except some arias | 
| dueLe due rivali in amore | dramma per musica | 3 acts | AureliAurelio Aureli | 1728, autumn | Venice, Teatro San Moisè | music lost | 
| SatraponeIl Satrapone | intermezzo | SalviSalvi | 1729 | Parma, Omodeo | ||
| stratagemmiLi stratagemmi amorosi | dramma per musica | 3 acts | PasseriniF Passerini | 1730, carnival | Venice, Teatro San Moisè | music lost | 
| Elenia | dramma per musica | 3 acts | BergalliLuisa Bergalli | 1730, carnival | Venice, Teatro Sant'Angelo | music lost | 
| Merope | dramma | 3 acts | ZenoApostolo Zeno | 1731, autumn | Prague, Sporck Theater | mostly by Albinoni, music lost | 
| piu-iIl più infedel tra gli amanti | dramma per musica | 3 acts | SchiettiAngelo Schietti | 1731, autumn | Treviso, Dolphin | music lost | 
| Ardelinda | dramma | 3 acts | VitturiBartolomeo Vitturi | 1732, autumn | Venice, Teatro Sant'Angelo | music lost, except five arias | 
| Candalide | dramma per musica | 3 acts | VitturiBartolomeo Vitturi | 1734, carnival | Venice, Teatro Sant'Angelo | music lost | 
| Artamene | dramma per musica | 3 acts | VitturiBartolomeo Vitturi | 1741, carnival | Venice, Teatro Sant'Angelo | music lost | 
Intermezzi
- (Vespetta e) Pimpinone (Pietro Pariati), Venice 1708
 - Malsazio e Fiammetta (unidentified), Rome 1726 (text and music lost)
 - Il Satrapone (Antonio Salvi), P 1729 (music lost)
 - L'impresario delle Isole Canarie (Pietro Metastasio) 1725 (music lost)[4][5]
 
Serenate
- Il nascimento de l’Aurora (unidentified), Venice c. 1710
 - Il nome glorioso in terra, santificato in cielo (Vincenzo Cassani), Venice 1724
 - Il concilio de’ pianeti (Girolamo Baruffaldi), Venice 1729
 
Cantatas
- 12 Cantate da camera a voce sola, op. 4 (for voices and bass continuo), Venice 1702
- Nr. 1: Amor, Sorte, Destino (for soprano)
 - Nr. 2: Da l’arco d’un bel ciglio (for alto)
 - Nr. 3: Del chiaro rio (for soprano)
 - Nr. 4: Riedi a me, luce gradita (for alto)
 - Nr. 5: Lontananza crudel, mi squarci il core (for soprano)
 - Nr. 6: Filli, chiedi al mio core (for alto)
 - Nr. 7: Ove rivolgo il piede (for soprano)
 - Nr. 8: Mi dà pena quando spira (for alto)
 - Nr. 9: Parti, mi lasci, ah quale (for soprano)
 - Nr. 10: Son qual Tantalo novello (for alto)
 - Nr. 11: Poiché al vago seren di due pupille (for soprano)
 - Nr. 12: Chi non sa quanto inumano (for alto)
 
 - 18 Cantatas for Soprano and Bass continuo, Staatsbibliothek Berlin, ms. 447
- Nr. 1: Il bel ciglio d’Irene
 - Nr. 2: Già dal mar sorgea l’alba
 - Nr. 3: Amarissime pene, suonate ormai
 - Nr. 4: (as op. 4 Nr. 5)
 - Nr. 5: Sorgea col lume in fronte
 - Nr. 6: Lontan da te, mia vita
 - Nr. 7: Sovra letto d’erbette
 - Nr. 8: (as op. 4 Nr. 11)
 - Nr. 9: Il penar senza speranza
 - Nr. 10: Senti, bel sol, deh senti
 - Nr. 11: Quest’è l’ora fatale
 - Nr. 12: Di tante ree sciagure
 - Nr. 13: Fileno, caro amico
 - Nr. 14: Sovra molle origliere
 - Nr. 15: Clori nel ciel d’amor lucida stella
 - Nr. 16: Dubbio affetto il cor mi strugge (Amante timido)
 - Nr. 17: Rivolse Clori un giorno
 - Nr. 18: Donna illustre del Latio
 
 - Other cantatas
- Bel fantasmo tu fosti al mio pensiero (for soprano and bass continuo)
 - Bella, perché tu forsi (for soprano and bass continuo)
 - Biondo crin, occhio nero, e sen d’avorio (for soprano and bass continuo)
 - Che ne dici, che risolvi (for soprano and bass continuo)
 - Crudelissimo amore (for alto and bass continuo)
 - Dove sei, che fai cor mio (for soprano and bass continuo)
 - E dove, Amor, mi guidi (for soprano, instruments and bass continuo)
 - Fatto bersaglio eterno (for alto and bass continuo)
 - Già tornava l’aurora
 - In alta rocca, ove d’un genio amico (for soprano and bass continuo)
 - Io che per colpa sol del fatio rio (for soprano and bass continuo)
 - Là dove il nobil Giano (for soprano and bass continuo)
 - Quanta pietà mi date, o mesti fiori (for soprano and bass continuo)
 - Senza il core del mio bene (for soprano or alto and bass continuo)
 - Vorrei che lo sapessi (for alto and bass continuo)
 - Vorrei scoprir l’affanno (for soprano and bass continuo)
 
 
Religious music
- Messa a tre voci (for 2 tenors and bass, a cappella), before 1694
 - I trionfi di Giosuè (Oratorium; Text: Giovanni Pietro Berzini), Florence 1703 (together with Alessandro Scarlatti, Giovanni Bononcini et al.)
 - Maria annunziata (Oratorium; Text: Francesco Silvani), Florence 1712
 
Instrumental music
With opus numbers
- Op. 1: 12 Sonate a tre (for 2 violins and basso continuo), Venice 1694
- No. 1 in D minor
 - No. 2 in F major
 - No. 3 in A major
 - No. 4 in G minor
 - No. 5 in C major
 - No. 6 in A minor
 - No. 7 in G major
 - No. 8 in B minor
 - No. 9 in D major
 - No. 10 in F minor
 - No. 11 in E minor
 - No. 12 in B-flat major
 
 - Op. 2: 6 Sinfonie & 6 Concerti a cinque (for solo violin (in concertos only), 2 violins, 2 violas and basso continuo), Venice 1700
- Sonata No. 1 in G major
 - Concerto No. 1 in F major
 - Sonata No. 2 in C major
 - Concerto No. 2 in E minor
 - Sonata No. 3 in A major
 - Concerto No. 3 in B-flat major
 - Sonata No. 4 in C minor
 - Concerto No. 4 in G major
 - Sonata No. 5 in B-flat major
 - Concerto No. 5 in C major
 - Sonata No. 6 in G minor
 - Concerto No. 6 in D major
 
 - Op. 3: 12 Balletti a tre (for 2 violins and basso continuo), Venice 1701
- No. 1 in C major
 - No. 2 in E minor
 - No. 3 in G major
 - No. 4 in A major
 - No. 5 in D minor
 - No. 6 in F major
 - No. 7 in D major
 - No. 8 in C minor
 - No. 9 in G minor
 - No. 10 in E major
 - No. 11 in A minor
 - No. 12 in B-flat major
 
 - Op. 5: 12 Concerti a cinque (for solo violin, 2 violins, 2 violas and basso continuo), Venice 1707
- No. 1 in B-flat major
 - No. 2 in F major
 - No. 3 in D major
 - No. 4 in G major
 - No. 5 in A minor
 - No. 6 in C major
 - No. 7 in D minor
 - No. 8 in F major
 - No. 9 in E minor
 - No. 10 in A major
 - No. 11 in G minor
 - No. 12 in C major
 
 - Op. 6: 12 Trattenimenti armonici per camera (for violin and basso continuo), Amsterdam c. 1711
- No. 1 in C major
 - No. 2 in G minor
 - No. 3 in B-flat major
 - No. 4 in D minor
 - No. 5 in F major
 - No. 6 in A minor
 - No. 7 in D major
 - No. 8 in E minor
 - No. 9 in G major
 - No. 10 in C minor
 - No. 11 in A major
 - No. 12 in B-flat major
 
 - Op. 7: 12 Concerti a cinque (for solo violin, 1 or 2 oboes, 2 violins, viola, cello and basso continuo), Amsterdam 1715
- No. 1 in D major
 - No. 2 in C major (for 2 oboes)
 - No. 3 in B-flat major (for oboe)
 - No. 4 in G major
 - No. 5 in C major (for 2 oboes)
 - No. 6 in D major (for oboe)
 - No. 7 in A major
 - No. 8 in D major (for 2 oboes)
 - No. 9 in F major (for oboe)
 - No. 10 in B-flat major
 - No. 11 in C major (for 2 oboes)
 - No. 12 in C major (for oboe)
 
 - Op. 8: 6 Balletti & 6 Sonate a tre (for 2 violins and basso continuo), 1722
- Sonata No. 1 in B-flat major
 - Balletto No. 1 in D minor
 - Sonata No. 2 in A major
 - Balletto No. 2 in F major
 - Sonata No. 3 in C major
 - Balletto No. 3 in D major
 - Sonata No. 4 in G minor
 - Balletto No. 4 in B-flat major
 - Sonata No. 5 in F major
 - Balletto No. 5 in C major
 - Sonata No. 6 in C minor
 - Balletto No. 6 in G minor
 
 - Op. 9: 12 Concerti a cinque (for solo violin, 1 or 2 oboes, 2 violins, viola, cello and basso continuo), Amsterdam 1722
- No. 1 in B-flat major (for violin)
 - No. 2 in D minor (for oboe)
 - No. 3 in F major (for 2 oboes)
 - No. 4 in A major (for violin)
 - No. 5 in C major (for oboe)
 - No. 6 in G major (for 2 oboes)
 - No. 7 in D major (for violin)
 - No. 8 in G minor (for oboe)
 - No. 9 in C major (for 2 oboes)
 - No. 10 in F major (for violin)
 - No. 11 in B-flat major (for oboe)
 - No. 12 in D major (for 2 oboes)
 
 - Op. 10: 12 Concerti a cinque (for solo violin, 2 violins, viola, cello and basso continuo), Amsterdam 1735/36
- No. 1 in B-flat major
 - No. 2 in G minor (for violin)
 - No. 3 in C major
 - No. 4 in G major (for violin)
 - No. 5 in A major
 - No. 6 in D major (for violin)
 - No. 7 in F major
 - No. 8 in G minor (for violin)
 - No. 9 in C major
 - No. 10 in F major (for violin)
 - No. 11 in C minor
 - No. 12 in B-flat major (for violin)
 
 - Op. 11: Sonate a tre (for two violins and basso continuo), c. 1739 (not published) (lost)
 
Without opus numbers
Sinfonias
- Si 1: Sinfonia in D major for the first act of Zenobia (for natural trumpet, 2 violins, 2 violas, cello and basso continuo), 1694
 - Si 2: Sinfonia in F major for the first act of Engelberta (for 2 violins, 2 violas, cello and basso continuo), 1709
 - Si 3: Sinfonia in A major (for 2 violins, viola, violone, and basso continuo), c. 1707–15
 - Si 4: Sinfonia in D major (for 2 violins, viola and basso continuo; manuscript versions for 2 oboes and bassoon), c. 1707–15
 - Si 5: Sinfonia in A major (for 2 violins, viola and basso continuo), c. 1707–15
 - Si 6: Sinfonia in B major (for 2 violins, viola, bassoon and basso continuo), c. 1715–22
 - Si 7: Sinfonia in G minor (for 2 flutes, 2 oboes, 2 violins, 2 violas, bassoon and basso continuo), c. 1715–22
 - Si 8: Sinfonia in G major (for 2 violins, viola and basso continuo), c. 1722–35
 - Si 9: Sinfonia in F major (for 2 violins, viola and basso continuo), c. 1722–35
 
Concertos
- Co 1: Concerto in D major (for solo violin, 2 violins, viola, violone and basso continuo), before 1700
 - Co 2: Concerto in C major (for solo violin, 2 violins, viola and basso continuo), c. 1717
 - Co 3: Concerto in D major (for solo violin and strings), c. 1715–22
 - Co 4: Concerto in G major (for 1 or 2 solo violins, 2 violins, viola and basso continuo), c. 1717
 - Co 5: Concerto in A major adapted by Pisendel (for solo violin, 2 violins, viola and basso continuo), c. 1717
 
Sonatas
- So 1: Sonata a sei con tromba in C major (for natural trumpet, 2 violins, 2 violas and basso continuo), c. 1700
 - So 2–7: Balletti a cinque (for 2 violins, 2 violas and basso continuo), c. 1702
- So 2: Balletto 1 in B-flat major
 - So 3: Balletto 2 in G minor
 - So 4: Balletto 3 in E minor
 - So 5: Balletto 4 in F minor
 - So 6: Balletto 5 in A major
 - So 7: Balletto 6 in F major
 
 - So 8–19: Balletti a quattro (for 2 violins, viola and basso continuo), c. 1700
- So 8: Balletto 1 in G major
 - So 9: Balletto 2 in B minor
 - So 10: Balletto 3 in D major
 - So 11: Balletto 4 in A major
 - So 12: Balletto 5 in C major
 - So 13: Balletto 6 in E minor
 - So 14: Balletto 7 in F major
 - So 15: Balletto 8 in A minor
 - So 16: Balletto 9 in B-flat major
 - So 17: Balletto 10 in D minor
 - So 18: Balletto 11 in E major
 - So 19: Balletto 12 in G minor
 
 - So 20–25: Sonate a tre (for 2 violins and basso continuo), before 1700
- So 20: Sonata 1 in C major
 - So 21: Sonata 2 in B-flat major
 - So 22: Sonata 3 in F major
 - So 23: Sonata 4 in D major
 - So 24: Sonata 5 in G major
 - So 25: Sonata 6 in A major
 
 - So 26–31: Sonate da chiesa ("op. 4") (for violin and basso continuo), Amsterdam 1708
- So 26: Sonata 1 in D minor
 - So 27: Sonata 2 in E minor
 - So 28: Sonata 3 in B-flat major
 - So 29: Sonata 4 in G minor (spurious)
 - So 30: Sonata 5 in G minor
 - So 31: Sonata 6 in B minor
 
 - So 32: Sonata a violino solo composta per il Sig. Pisendel in B-flat major (for violin and basso continuo), c. 1717
 - So 33: Solo in G minor (for violin and basso continuo), c. 1717
 - So 34: Solo in B-flat major (for violin and basso continuo), c. 1717
 - So 35–39: Sonate a violino solo e basso continuo (for violin and basso continuo), Amsterdam c. 1717
- So 35: Sonata 1 in D minor
 - So 36: Sonata 2 in G minor
 - So 37: Sonata 3 in A major
 - So 38: Sonata 4 in A major
 - So 39: Sonata 5 in E minor (spurious)
 
 - So 40–45: Six sonates da camera (op. post.) (for violin and basso continuo), Paris c. 1740
- So 40: Sonata 1 in F major (spurious)
 - So 41: Sonata 2 in A minor
 - So 42: Sonata 3 in E major (spurious)
 - So 43: Sonata 4 in D minor (spurious)
 - So 44: Sonata 5 in D major (spurious)
 - So 45: Sonata 6 in A major
 
 
References
- ↑  
- Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
 
 - ↑ Don Neville, "Metastasio, Pietro." The New Grove Dictionary of Opera. Ed. Stanley Sadie. Oxford University Press, See under: Writings/Operas/L'impresario delle Isole Canarie
 - ↑ Printed libretto for a performance in the San Cassiano theater, 1725, Code IT\ICCU\MUS\0002663, VE0239,VEAFC, Biblioteca della Fondazione Giorgio Cini - Venezia - VE - [fondo/collocazione] ROLANDI MUSICA 2B RAC
 - ↑ Don Neville, "Metastasio, Pietro." The New Grove Dictionary of Opera. Ed. Stanley Sadie. Oxford University Press, See under: Writings/Operas/L'impresario delle Isole Canarie
 - ↑ Printed libretto for a performance in the San Cassiano theater, 1725, Code IT\ICCU\MUS\0002663, VE0239,VEAFC, Biblioteca della Fondazione Giorgio Cini - Venezia - VE - [fondo/collocazione] ROLANDI MUSICA 2B RAC
 
- Michael Talbot: "Tomaso Albinoni", Grove Music Online ed. L. Macy (Accessed June 25, 2005), (subscription access)
 - Michael Talbot: Tomaso Albinoni. The Venetian Composer and His World. Clarendon Press, Oxford 1990. S. 271–281.
 
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